Review Roundup: Westworld Season 2 Finale, “The Passenger”

~SPOILER ALERT~
If you’ve been left scratching your head after last night’s Westworld Season 2 finale, you’re not alone. Much like Game of Thrones, I really enjoy the show but am fairly certain I’m missing some of the finer details.
So thanks to these smart TV writers, we can get in the know and reflect while we wait (and wait) for Westworld Season 3.
From Den of Geek:
“Throughout the second season of Westworld, the talk has been of the concept of narrative. Lee complains about his narrative being ruined by the hosts gaining sentience, the host personalities are determined by certain loops, certain key points of their character and their day-to-day activities that make up the fundamentals of who they are. A few tweaks to a host’s sliders or a slight change in a host’s narrative can completely alter who the host is. All along, William has maintained that this is Robert Ford’s last riddle, one last story set in place by the old man to slight him, and in a sense, he’s correct. “The Passenger” seems to be the end of an era of Westworld. I can’t say for certain where things go from here, but I can confidently say that things will never be the same.”
From Vulture:
“The first season of Westworld held a somewhat common dramatic shape: After a raucous start, it slowly devolved into some narrative wheel-spinning before it came roaring back to life with some late-game fireworks. Season two has been a trickier beast. After a tepid start, we’ve experienced a lot of peaks and valleys and the show was often at its best when it pulled away from the guessing games and layered timelines and told contained, humane stories. But we have come to the end and I have to admit that this finale is not only my least favorite episode since the season-two premiere, but also that I’m a bit perplexed.”
From Vox:
“Many weeks, after my recap of Westworld posts on Sunday nights, I hear from readers. Sometimes, those readers want to correct something I’ve gotten wrong, which is always welcome. But sometimes, those corrections aren’t actually correcting anything — they’re more trying to win me over to their theory of what the Man in Black is up to, or what Westworld is supposed to be, or which planet the series takes place on. “You missed…” these emails and tweets will often start, before launching into several paragraphs of explanation of how some tiny detail in the costume or production design reveals the truth about the Delos Corporation’s secret plans or what have you. But I don’t know that I “missed” anything, so much as I don’t share these particular readers’ theories about what’s going to happen. I tend to let the show present things to me as they happen, rather than trying to guess where it’s going. It’s just how I’m wired. I want to be clear: I’m not complaining about this. I love hearing from readers about anything I write. But the sheer number of these responses has made me think that I might be watching Westworld all wrong — or, perhaps, that it’s such a thin, thematically empty show that the only meaning it has comes from that which you bring to it. But is that on the show? Or is it on me?”
From The New York Times:
“So much of Westworld, this season especially, has been about how much control individuals really have over their destiny. It’s a classic question in science fiction: Is there such a thing as free will, or is choice itself an illusion, each decision beating the path to a predetermined fate? In a place like the Westworld theme park, where day-to-day actions are literally programmed into android hosts, there isn’t supposed to be any ambiguity on that question. The predictability of the loops brings a necessary order to the operation, like the control group in an experiment in which the guests are the ones doing all the improvising. But as Westworld has opened up and the hosts have gained self-awareness, we’ve been left to guess about who’s really pulling the strings.”
New episodes of Westworld Season 2 air Sundays at 9pm ET/PT on HBO Canada, and catch up on past episodes, including Season 1 in its entirety, on TMN GO
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Corinne McDermott is the editor of Movie Entertainment magazine.






















































